Sorry, the file you have requested does not exist. Liebe Grüße aus Graz von Superstudio
In 1969, the Triennial Biennial Trigon under the title "Architecture and Freedom" took place in Graz as part of the second Steirischer Herbst festival entitled "The future as will and imagination". In a competition, artists and architects, in particular, were called upon not to engage in utopian speculation, but to critically confront current developments and confront their work with the negative global trends of today. In the exhibition at the Künstlerhaus Graz, the Florentine architectural and artists group Superstudio installed a first variant of their "Continuous Monument - An Architectural Model for Total Urbanization" as a walk-in model, called the "Grazer Zimmer" (Graz Room). The work was both a critique and manifestation of an architecture that acted in the spirit of global capitalism and erased forever any form of political, moral and ethical alternatives. At the same time, the Continuous Monument represented the endpoint in the historical development of geometric monumental architecture and thus offered the opportunity to liberate architecture and give it new strength. Precisely because of this ambivalence, the Continuous Monument not only became one of the most published and most cited works in the urban and architectural discourse of the past 50 years but is also considered a futuristic prophecy of a digitized world, which Superstudio’ s collages evoke metaphorically.
Fifty years after Trigon '69, under the title "Greetings from Graz by Superstudio", the House of Architecture in Graz (HDA) presents the traces and fragments of the Continuous Monument left by Superstudio in the Graz archives of steirischer herbst and Neue Galerie. "Our projects/actions increasingly move away from the very essence of architecture and design, and so (from the circular logic) everything that we do is more and more approaching architecture and design until it coincides with ..." (Superstudio, 1973 ) By way of example, the political situation from which "architecture and freedom" emerged as the program of the Trigon in Graz in 1969 will also be illustrated. Finally, the exhibition asks about the current relevance of Superstudio’ s criticism of architecture and its role in the present. What force did architecture have as a means of agitation, which power of social transformation do you still inhabit today? To this end, young architecture and artist groups will formulate contemporary perspectives against the background of the historical exhibition. The selection of the young positions is based on the international Call for Ideas of the Future Architecture Platform.
The Crimson Clouds: Sequel
Illustrated Novel, where the real blurs and fictional becomes more immersive.