- New alliances
I wish to strengthen and generate consciousness on the impact of the notebook (small format, inexpensive, perfectly pocketable - always carrying with you.. because you never know when the right idea comes-MOMENTUM. And for these extraneous reasons I see that notebook has a fundamental value (for art in my case), which preceded the value of the book ..because when interact - thinking, hand, and soul, this is all .. Therefore, no matter how small space might be, therein we can express a great concept.
Through abstraction of an egg, going beyond mean, are created until now 162 concepts evolving totally naturally, by correcting some mistake, or as a need to be accurate..and, at beauty in sincere aspect..
Five among these concepts I have translated into sculptures with monumenal scale /piece of architecture/, which could be placed into wast mountainous landscape of the south of Kosovo,. I see them as large-scale structure.. connecting people with nature.. complementing each other.
The sculpture: “RRËNҪETHJE..” - “Thrill”: is movable from wind by establishing sound like leaves with a caress of the wind/. And, “Rrëncethje..” – (Thrill..) with it’s dynamism, adds drama to the experience of space. Sound unifies, it is the most variable and everdependent of all the phenomena we perceive.. The context of sound is important. I choose GOLDEN RADIKA, THE MOST SOUTHERN MNT IN KOSOVA. To contribute in this atmosphere ..forming the character/genius loci/.
When I was drawing this concept, somehow I boast because while drawing along perimeter of an egg I kept my breath.. when arrived at the end, the line just fixed at the same point as started.. and somehow I was pride of myself.. and this is how it has taken the name EGO.. but now.. after a year and a half I see everything is connected.. have a meaning.. why clearness/allowing light to pass through so that landscape behind can be distinctly seen. For anyone that does this hiking will boast on
The southern part of Dragash, Sharr Mountains Is striking in its almost complete lack of trees, towering mountains, and rolling alpine fields. When we talk about traces I think it is not enough to talk about physical traces, it is also about the emotional traces, trace of the place and that has equal power with physical space. So, emotional trace is a kind of marking, consolidating physical space and the idea of context become incredebly expanded. Mountains, and rolling alpine fields.
Sculptures are as mysterious as they are beautiful. Although they employ a wide range of materials, their real subject is often immaterial and ungraspable: a chasm, a reflection, a column of air. Anthony Caro(artist)goes further by arguing :" the trouble with so much sculpture is the larger it gets the worser it gets, and I think that architects understand better, how when something is put outside an open air it changes the air and it has to be richer in order to get different.
For my concepts that cannot be easily characterized in terms of geometric volume, an alternative way of vizualizing the location of the center of gravity is at its exact geometric center of a big circle/intuitively obvious/.. The center of gravity of an EGG must lie directly below that point. e.g. the sculpture EGO_ Many masters have studied the location of the center of gravity in human forms, and it tends to be located in the pelvic area, as illustrated by Rodin's Study for Jean d'Air
