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Idea by

Sofia Karim

https://www.sofiakarim.co.uk/

London, United Kingdom
Sofia Karim has practiced architecture for over 20 years. Her practice combines architecture, visual art & activism. The incarceration of her uncle (photographer Shahidul Alam) led to her theories on an ‘Architecture of Disappearance’. Her work has been presented at Harvard University, exhibited in museums & galleries in New York, Delhi & London, and featured in publications including The Observer & The New York Times.

Call for ideas 2021

Lita's House


A house for the disappeared and imprisoned - A mirror world of fascism and authoritarianism

Lita's House


A house for the disappeared and imprisoned - A mirror world of fascism and authoritarianism
The project explores human loss, fascism & authoritarianism through architecture.
File under
Type of project
  • Systemic changes

Lita’s House is an imaginary house for the disappeared & imprisoned; a mirror world of fascism & authoritarianism.

The project explores architecture as ‘art of dissent’; a means to speak truth to power. Whilst other art forms (music, poetry & literature) have a tradition of this, architecture is behind.

I am an activist as well as an architect. My activism focuses on fascism in India, authoritarianism in Bangladesh & the rise of far-right nationalism.

Lita’s House has emerged from specific cases I follow of activists, students, journalists, poets & intellectuals who have been jailed or disappeared. It is also a metaphor; a device for exploring notions of absence & human loss through architecture.

The project advances the idea of architecture as activism - a language of struggle and resistance. Putting human rights at the centre, it explores incarceration, violence, torture, and the spaces of the mind. Architecture at the edges of life & death. Architecture for change.



Lita’s window - All around was black. Black so black it could hold you.

Lita’s House - When is the New Year.

Based on poem ‘When is the New Year’ written by jailed Professor Saibaba. Professor Saibaba is on life sentence in India. He is 90% disabled and full of pain with little care & support during the Covid-19 situation in prison. He recently went on a 10 day hunger strike. His health is deteriorating. He has written 46 poems in jail.

Lita’s House - The Great Bear.

Based on the Great Bear constellation my uncle, Shahidul Alam used to watch from his cell. The 10" dimension you see in the drawing (১০" in Bangla) is a reference to the 10" space each prisoner gets in the holding cell at this jail. They must lie spine to spine. If they can't afford to pay a fee, it's worse - they have to lie in a more tightly packed formation: opposite each other, groin-groin scissor formation.

Lita’s House - Gallows II

In Lita’s house stood a structure. And the structure was the gallows. Built of Universal Beams. But the beams were not of recognisable units. They followed a different scale of measurement: মৃ ত্যু M E T R Y (the geometry of death).

Lita’s House - Gallows I

In Lita’s house stood a structure. And the structure was the gallows. Built of Universal Beams. But the beams were not of recognisable units. They followed a different scale of measurement: মৃ ত্যু M E T R Y (the geometry of death).

Lita's House


A house for the disappeared and imprisoned - A mirror world of fascism and authoritarianism

Lita's House


A house for the disappeared and imprisoned - A mirror world of fascism and authoritarianism
The project explores human loss, fascism & authoritarianism through architecture.
File under
Type of project
  • Systemic changes

Lita’s House is an imaginary house for the disappeared & imprisoned; a mirror world of fascism & authoritarianism.

The project explores architecture as ‘art of dissent’; a means to speak truth to power. Whilst other art forms (music, poetry & literature) have a tradition of this, architecture is behind.

I am an activist as well as an architect. My activism focuses on fascism in India, authoritarianism in Bangladesh & the rise of far-right nationalism.

Lita’s House has emerged from specific cases I follow of activists, students, journalists, poets & intellectuals who have been jailed or disappeared. It is also a metaphor; a device for exploring notions of absence & human loss through architecture.

The project advances the idea of architecture as activism - a language of struggle and resistance. Putting human rights at the centre, it explores incarceration, violence, torture, and the spaces of the mind. Architecture at the edges of life & death. Architecture for change.



Lita’s window - All around was black. Black so black it could hold you.

Lita’s House - When is the New Year.

Based on poem ‘When is the New Year’ written by jailed Professor Saibaba. Professor Saibaba is on life sentence in India. He is 90% disabled and full of pain with little care & support during the Covid-19 situation in prison. He recently went on a 10 day hunger strike. His health is deteriorating. He has written 46 poems in jail.

Lita’s House - The Great Bear.

Based on the Great Bear constellation my uncle, Shahidul Alam used to watch from his cell. The 10" dimension you see in the drawing (১০" in Bangla) is a reference to the 10" space each prisoner gets in the holding cell at this jail. They must lie spine to spine. If they can't afford to pay a fee, it's worse - they have to lie in a more tightly packed formation: opposite each other, groin-groin scissor formation.

Lita’s House - Gallows II

In Lita’s house stood a structure. And the structure was the gallows. Built of Universal Beams. But the beams were not of recognisable units. They followed a different scale of measurement: মৃ ত্যু M E T R Y (the geometry of death).

Lita’s House - Gallows I

In Lita’s house stood a structure. And the structure was the gallows. Built of Universal Beams. But the beams were not of recognisable units. They followed a different scale of measurement: মৃ ত্যু M E T R Y (the geometry of death).


Idea by

Sofia Karim
London
United Kingdom
Sofia Karim has practiced architecture for over 20 years. Her practice combines architecture, visual art & activism. The incarceration of her uncle (photographer Shahidul Alam) led to her theories on an ‘Architecture of Disappearance’. Her work has been presented at Harvard University, exhibited in museums & galleries in New York, Delhi & London, and featured in publications including The Observer & The New York Times.