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Idea by

Bin Sayeed Bakhti, Manal Anis

Illinois, United States of America
Bin Sayeed Bakhti is an architect exploring the connection between the digital and the physical realm. Having completed his M.Arch from Miami University, his interests currently lie in the domain of multisensory experiences and how to manipulate them through highly sensitive digital interventions. Manal Anis is an architect and researcher currently doing her PhD in climate-adaptive building facades that incorporate fluid-dynamics and simulation programming to design a breathable building skin.

Call for ideas 2021

Culture in Crisis


Government indifference, the promise of perpetual growth, and collective memory as collateral

Culture in Crisis


Government indifference, the promise of perpetual growth, and collective memory as collateral
A criticism of governmental apathy that render built heritage collateral for the sake of modernity
File under
Type of project
  • Site-specific cases

Within an evolving urban fabric built heritage represents a city’s collective memory, reinforcing a sense of identity. Sadly, perpetuating a promise of endless growth and modernity, they are often the first to be demolished. Decisions to destroy perfectly functioning historic buildings reveal government indifference and a gross lack of care toward preserving cultural identity, effectively alienating people from the city.
In Bangladesh, Kamalapur Railway Station and TSC Auditorium are two such historic sites: successful tropical modernist public places facing imminent demolition. However, virtual protests, risking government censor of digital information flow, require compelling and forceful storytelling. With exaggerated abstraction this emotive piece attacks government apathy and forces the public to question the future of Dhaka in our collective memory. Having garnered a lot of social media attention, it reflects the ongoing protest by concerned citizens against such policy-making.



Two vibrant public places that are part of a long-standing cultural legacy in the collective psyche of the people of Bangladesh.

Huge outcry from architects, historians and academicians erupted from late November 2020 in the wake of reports being published on government’s plan to demolish Kamalapur Railway Station and TSC Auditorium. Our digital piece lends a visual to the scores of protest urging the government to reconsider and withdraw their decision.

Another colonial-era heritage site in Dhaka - Khamarbari - was demolished in 2017, two days after the High Court issued a stay on the decision. Even though an official inquiry was supposed to be conducted into whether it qualifies as a contempt of court, nothing substantial came out of it.

Culture in Crisis


Government indifference, the promise of perpetual growth, and collective memory as collateral

Culture in Crisis


Government indifference, the promise of perpetual growth, and collective memory as collateral
A criticism of governmental apathy that render built heritage collateral for the sake of modernity
File under
Type of project
  • Site-specific cases

Within an evolving urban fabric built heritage represents a city’s collective memory, reinforcing a sense of identity. Sadly, perpetuating a promise of endless growth and modernity, they are often the first to be demolished. Decisions to destroy perfectly functioning historic buildings reveal government indifference and a gross lack of care toward preserving cultural identity, effectively alienating people from the city.
In Bangladesh, Kamalapur Railway Station and TSC Auditorium are two such historic sites: successful tropical modernist public places facing imminent demolition. However, virtual protests, risking government censor of digital information flow, require compelling and forceful storytelling. With exaggerated abstraction this emotive piece attacks government apathy and forces the public to question the future of Dhaka in our collective memory. Having garnered a lot of social media attention, it reflects the ongoing protest by concerned citizens against such policy-making.



Two vibrant public places that are part of a long-standing cultural legacy in the collective psyche of the people of Bangladesh.

Huge outcry from architects, historians and academicians erupted from late November 2020 in the wake of reports being published on government’s plan to demolish Kamalapur Railway Station and TSC Auditorium. Our digital piece lends a visual to the scores of protest urging the government to reconsider and withdraw their decision.

Another colonial-era heritage site in Dhaka - Khamarbari - was demolished in 2017, two days after the High Court issued a stay on the decision. Even though an official inquiry was supposed to be conducted into whether it qualifies as a contempt of court, nothing substantial came out of it.


Idea by

Bin Sayeed Bakhti, Manal Anis
Illinois
United States of America
Bin Sayeed Bakhti is an architect exploring the connection between the digital and the physical realm. Having completed his M.Arch from Miami University, his interests currently lie in the domain of multisensory experiences and how to manipulate them through highly sensitive digital interventions. Manal Anis is an architect and researcher currently doing her PhD in climate-adaptive building facades that incorporate fluid-dynamics and simulation programming to design a breathable building skin.