Idea by
Sarah Cowles
Ruderal
Call for ideas 2019
Surplus Futures
Surplus Futures
- New alliances
SCANT DISCOURSE ON SURPLUS
-The future is loaded with incomprehensible surpluses of materials, energy, and biomass. From today's surplus soybean stockpiles, to surplus water in cities, to surplus weapons seeking targets, surplus rules. But surplus-as a raw material and metaphoric topic-is scarce in design discourse.
-Surplus is defined as the excess beyond the necessary. Shunted from processing, transportation, and consumption, surplus is held in abeyance. Surplus has an anarchic, malleable energy that is open to re-articulation. Surplus is the fuel of subculture: hackers, black marketeers, and squatters all remix the semiotics of surplus.
-The garden is an apt mediator for surplus: over centuries, gardens have been repositories for surplus labor, materials, and technology. Gardens are material and temporal test plots, microcosms for the future. In Ljubljana I will gather these angles on future surpluses and transpose them into a series of paired surplus gardens and texts.
Surplus Futures
Surplus Futures
- New alliances
SCANT DISCOURSE ON SURPLUS
-The future is loaded with incomprehensible surpluses of materials, energy, and biomass. From today's surplus soybean stockpiles, to surplus water in cities, to surplus weapons seeking targets, surplus rules. But surplus-as a raw material and metaphoric topic-is scarce in design discourse.
-Surplus is defined as the excess beyond the necessary. Shunted from processing, transportation, and consumption, surplus is held in abeyance. Surplus has an anarchic, malleable energy that is open to re-articulation. Surplus is the fuel of subculture: hackers, black marketeers, and squatters all remix the semiotics of surplus.
-The garden is an apt mediator for surplus: over centuries, gardens have been repositories for surplus labor, materials, and technology. Gardens are material and temporal test plots, microcosms for the future. In Ljubljana I will gather these angles on future surpluses and transpose them into a series of paired surplus gardens and texts.