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Idea by

Nivses Sertić

Dubrovnik, Croatia
Media artist, graduated 2009, New media, ALU Zagreb. Since 2014 she is intensely focused on relations of looking, movement and time: relation of camera, recording and recorded with the body movement behind and in front of camera; relation of live act, recorded material and time. Also her focus is on her personal relation with nature and questions about temporality, long-term observing, time, and their inside dynamics, but also their dynamics inside (visual) media that we are inscribing them in.

Call for ideas 2021

REREADING THE GREENS


excerpts from the art project "In the Giardino, down, between", 2020.

REREADING THE GREENS


excerpts from the art project "In the Giardino, down, between", 2020.
Reading the city's green infrastructure through varies of greens in rennesance and socialist epoches
File under
Type of project
  • Site-specific cases

The work I am presenting here is the excerpt from the ongoing project "In the Giardino, down, between" that talks about my neighbourhood garden between the builidings built in late 60's as a part of then well-thought urban planning of the city, but also puts it in the perspective with historical gardens of Dubrovnik and south Adriatic. This part of the project focuses on variations of the green shades through history of this gardens. What are the historical causes and, from that, what are the visual and performative outputs of them: how did those imported (forms) and shades became "our own" and "common"? This question can be eaqually visual, botanical, but also political: green shades were provided through various historical epoches. Here I am puting in comparison two spatially overlapped, but historically very different ones: Dubrovnik rennesance garden and socialist urban gardens. Research was made through acts of observance, performative walks and media of photography and video.



REREADING THE GREENS


excerpts from the art project "In the Giardino, down, between", 2020.

REREADING THE GREENS


excerpts from the art project "In the Giardino, down, between", 2020.
Reading the city's green infrastructure through varies of greens in rennesance and socialist epoches
File under
Type of project
  • Site-specific cases

The work I am presenting here is the excerpt from the ongoing project "In the Giardino, down, between" that talks about my neighbourhood garden between the builidings built in late 60's as a part of then well-thought urban planning of the city, but also puts it in the perspective with historical gardens of Dubrovnik and south Adriatic. This part of the project focuses on variations of the green shades through history of this gardens. What are the historical causes and, from that, what are the visual and performative outputs of them: how did those imported (forms) and shades became "our own" and "common"? This question can be eaqually visual, botanical, but also political: green shades were provided through various historical epoches. Here I am puting in comparison two spatially overlapped, but historically very different ones: Dubrovnik rennesance garden and socialist urban gardens. Research was made through acts of observance, performative walks and media of photography and video.




Idea by

Nivses Sertić
Dubrovnik
Croatia
Media artist, graduated 2009, New media, ALU Zagreb. Since 2014 she is intensely focused on relations of looking, movement and time: relation of camera, recording and recorded with the body movement behind and in front of camera; relation of live act, recorded material and time. Also her focus is on her personal relation with nature and questions about temporality, long-term observing, time, and their inside dynamics, but also their dynamics inside (visual) media that we are inscribing them in.